San Diego MC in Mexico City

Lord Mzderio was deported to Mexico from San Diego last year. He wouldn’t elaborate on the reasons, but told me his aim, now that he was in D.F., was to make it big in the Mexican rap game.

RAP CULTURA event in Mexico City. Mzderio says this flyer has his name spelled wrong.

The 20-something performer, who rhymes in Spanish, told me the only thing he found troubling about Mexico City, so far, was that his choices for cholo fashion leaned heavily toward L.A. It’s nearly impossible for him to find Padres stuff. Something gangster that didn’t rep that pinche city up north.  He says he’s an S.D. gang member.

We had a quick chat after he performed in a virtually empty hall located at a goth club near El Centro Historico, on Puente de Alvarado in Col. Tabacaleraon, turning it into a rap showcase for Mexico City’s elite underground rappers. Those who had paid some dues.

Mzderio regaled me with tales of being locked up in the county jail, and how he was deported after he got out.
He had just arrived some months ago in the city, and was now living in Ecatepec, about 14 miles north of Mexico City.

What happened to Mzderio is possibly what happened to about 300 people in Texas on Friday.

According to the Dallas Morning News:

Of the total, about half of the immigrants had convictions for violent crimes or drug offenses.

So, they say.

Large scale deportations like that are carried out by a branch of Homeland Security called, ICE. It was created in 2003 as a response to 911. Now, it’s part of a plan to rid the U.S. of as many people (“aliens” as they say) from Mexico and Central America, as well as other places,  by 2012.

The Dallas piece went on to add:

Secure Communities has come under scrutiny for the relatively low number of persons caught who have been convicted of violent crimes – or what’s known in ICE as a “level one” offense.

These ICE tactics seem pretty flawed. The Washington Post goes on to say:

The immigration databases that the Secure Communities program taps are not infallible. They list only foreigners who entered the United States on a visa or who were caught trying to sneak in but later released. Those who have never crossed paths with immigration authorities are not singled out — the same as U.S.-born citizens.

Describing ICE’s mission in 2008, the Newamericanmedia.org said:

The “golden measure” of ICE’s success, according to a 2003 statement by Anthony S. Tangeman, director of the Office of Detention and Deportation, is the removal all “aliens.”

Deportations doubled in the last 10 years according to this Medill report. The article goes on to point out that Mexicans are always the majority of the targets.

Mexican nationals have had the highest rate of removals throughout the decade, making up more than 80 percent of total deportations in 1999. However, this share dropped to about 70 percent in 2008, with other nationalities making up more of the total.

In Lord Mzderio’s case, whether for right or wrong, he’s here in Mexico now, and can share his passion for writing raps with another generation of Rap Kids, who need role models in a sea of Punks, skater kids, Chavs, Emos, Rockers, Fresas and Rastas.

Photos and interview from January 8, 2010.

El Hijo Del Santo Uses Moby

Not the most aggressive entrance music.

Moby’s “Signs of Love” doesn’t make me think tough thoughts. El Hijo Del Santo has a legacy to live up to, he should really bring it with a little more aggression.

A charged crowed watched a scion of Mexican wrestling royalty one night, last month (A legacy of branding): El Hijo Del Santo. The son of El Santo, who fronted Sunday magazine, “Dia Siete” earlier this month. His series of holds or llaves, which they’re called in Spanish, look straight silly today; not that 50 years ago they looked any more real. It’s just nice to have that flavor, he uses moves his dad taught him probably. There was a family resemblance in that *camel clutch he used to win the match.

update: UK Sun talked to Hijo del Santo in 2008.

Is it true your father is buried in his mask?

Yes, it is true. When he died our first option was not to tell anybody and to keep it in the family but my brothers and I decided it wasn’t fair to keep him from his fans, so we decided to release the news nationwide. For the funeral, it was important for people to see him in his mask as they were not going to see Rodolfo Guzman, but El Santo, so yes, he was buried with his mask on.

Video, top, from Jan. 31, match promoted by Los Perros Del Mal in Mexico City .

*What a perfect camel clutch looks like.

Eyes on the Prize

Last year, The Atlantic´s Ta-Nehisi Coates gave a wonderful summation of why we need to recognize a Black History Month, and what´s wrong with the ways we´re brought up recognizing it. We reduce it to a bunch of pictures on class room walls and memorized passages. We need to look at our ancestors as humans not just as heroes.

As this February winds down, our first second Black History Month with a Black President, let´s not forget those who struggled before us. They would be proud of how much things have changed, and how many Black billionaires there are now.

Saul Williams and Trent Reznor, ¨Black History Month¨

Weezy on Mexico City Bus Stops

lil wayne rappers prison
FROM HOLLYGROVE TO D.F.: Lil Wayne fronts Rolling Stone, here in the Mexican version. This is a bus stop billboard on the corner of Moneterrey and Alvaro Obregon in Roma

XXX

Hip-hop isn´t as noticeable on the streets in Mexico City as it is in North America´s other major cities, NY, L.A., Atlanta, Toronto. That´s why this Rolling Stone (Mexico) billboard, above, caught me off-guard. You can find it throughout the city, on bus stops.
Does everybody know what Wayne represents, in the sense of representando? ¨A Milli¨ was played out a while ago. The only American rap cut I hear on Pop 40 Mexican radio is “Empire State of Mind.” Jay-Z is just mainstreaming himself like that I guess. That song Wayne did with Shakira, I hardly ever hear. It hurts my ears anyway.

The RS cover is a duplicate of the US version. Wayne going to jail, etc, etc. AP had a trite piece today on rappers going to jail

In the history of hip-hop, other popular rappers such as Slick Rick, Shakur, Lil’ Kim, Foxy Brown, Remy Ma, Beanie Sigel, Shyne, Mystikal and C-Murder have spent a few months to several years in prison. Snoop Dogg was acquitted of murder; Diddy faced jail time but he was acquitted in 2001 on bribery and weapons charges stemming from a club shooting. His protege, Shyne, wasn’t as lucky and was convicted in the same case and sentenced to 10 years; he was recently deported after his release from prison.

They talk to Shaka Zulu alot, Ludacris´manager and get the big jailhouse chat with Gucci.

Gucci Mane warns others to avoid his fate.

“Don’t keep bumping your head against the wall,” he says. “It’s a serious situation. It’s so many things that happen behind these walls. Think about how to avoid situations so you won’t have to come in here.”

The story is somewhat pointless, just a repeat trend piece some bored editor said to roll with, following RS´ lead this week.
The truth is, on the streets, going to jail is cred—a right of passage for Black/Latino men in America. Going to jail, as in the case of Tupac, and following that up with platinum success doesn´t happen to everyone.
I can´t name another rapper after, who had a publicized jail stint, then ran to the top of the sales charts when he became free again. What Wayne has working for him is that he´s still young. And, like Annette Funicello, Cubby or any Mouskateer, he´s been training for the music life since he was a pup.
But it´s not about that, going to jail for thuggery lends your rhymes credibility. I think if a rapper goes to jail for unpaid taxes or speeding tickets, it doesn´t work the same.

Of course, many of the faces referenced in the AP story bring the trouble on themselves.

Mainstream media and critics generally don´t have a clue when it comes to the particulars of these guys. It gets me.

Take for instance all the tatto-age on Wayne? Other than the ¨B¨ he´s holding up with his right hand, the rag in his back pocket and the ¨DAMU¨ scrawled on his chest—outright gang affiliation—what other reason does the ¨greatest rapper alive,¨ have to be going to jail? Thuggin(g), of course.

bloods gang Lil Wayne rollinstone magazine

Remembrance: Bob Collier, 73

Robert Collier, 73

The last time I spoke to my padrino was on the phone in the Summer of ’08. I remember him saying, “Just be careful,” regarding an article I had written on Charles Hamilton.
I asked, why? He repeated it: “Just be careful what you put out there about people.” I think he was referring to the heroin use I mention in the piece. I didn’t understand his point at the time, but as I thought about it I got it. A former Black Panther, he was about the people. And I was giving the establishment some good stuff on Charles. Although I don’t think that had anything to do with his fall off the map, or him getting socked.

Bob inspired me and dozens of other young men towards greatness. I’ll never forget that. From the time I was a little boy, until I reached adulthood he was there. A college professor and public servant, he leaves behind a large, beautiful family, with tons of friends and admirers. As one of the founders of the NY chapter of the BPP, he also leaves his mark on history.

You can read more about him in this quasi-controversial write-up in the Poughkeepsie Journal. You can also learn more about the Panther 21 trial, of which he was a part of, in Murray Kempton’s “The Briar Patch.” There’s an archived 1996 radio show that brought Bob on to talk about his past, here, with an appearance by Boots Riley from The Coup.

Now who’s going to give me bendición, eh?

Rest in Freedom, padrino.

Photo from Poughkeepsie Journal

update: Just googled the man a few more times and came up with this New York magazine article from 1972 that mentions Bob and offers some behind-the-scenes of the shenanigans that went on at his trial. Also, came across It’s About Time, a site that offers current info on Black Panther Party alum, reunions and personal histories of the group.
It hipped me to a documentary on Oakland Black Panther Party co-founder Richard Aoki, who passed away last year. He was a Japanese American revolutionary credited with bringing the first straps into the party.

Moyenei x Baby Bump x Roco at Foro Alicia

Moyenei shows that it's not only M.I.A who can rock a crowd with a baby bump.

That’s Roco’s baby in Moyenei’s stomach. As a musician, he’s about as famous as you can get in Mexican protest-pop. It should help Moyenei’s career down the line as well. She came to fame in Chile as a singer in the all-girl crew Mamma Soul. You can check one of their video’s here. There’s also a good page of information, here.
Moyenei tried to bring that all-girl formula to Mexico a few years ago, and well, if you read her interview in my last blog post, you know how that ended up.

The Alicia was packed last Thursday night (Oct. 22) for the presentation of Fermin Muguruza’s Checkpoint Rock: Songs from Palestine
, which was followed by music performances. The crowd grew restless with Moyenei’s singing and started to chant FERMIN! FERMIN! You could tell the mix of Spaniards in the crowd of mostly Mexicans. Muguruza’s brand of ska/punk and dub is much in appreciation in these parts. What’s mind boggling is that he sings in Euskara, or Basque language, and none of what he was saying seemed lost to anyone who was there. The power of music with a message.

The doc, for what it was worth, had its obvious political leanings. It was a 100% Palestinian p.o.v. You can read La Jornada’s take on it. One of the gems of the movie was a short piece on Palestinian femcee, Safaa Arapiyat. I have no idea what she’s saying, but her swagger is kind of tough on the mic. Take a listen and watch her ham it up in a recording session.

Rocking with his soon to be baby mama. Roco and Moyenei at Foro Alicia Thursday, Oct. 22
Heavy Reading: It was the type of event at the Alicia where book in Spanish by Chomsky were being sold near the ticket counter.

It was the kind of event where anti-establishment reading materials and books in Spanish by Chomsky were being sold.

Cholo Rap: From California To Neza York

Pabellon Lindavista, Ticoman, Distrito Federal; October 18 2009    Photo Courtesy: Isela Martinez
Pabellon Lindavista, Ticoman, Distrito Federal; October 18 2009 Photo Courtesy: Isela Martinez

A hard-core rap concert takes place in a mall, just upstairs from a movie theater. No police presence to speak of and very light, but focused security.

Mexican rap (if it’s any surprise) thrives with its own sub-genres. You get the political message from a group like Advertencia Lirica, aging thug wisdom from MC Luka, the spirit of hipster D.F. gets a boost from Mood-Fu, and Pato Machete keeps heads nodding in his post-Control Machete years.

Nothing I’ve heard from groups like Kartel Aztlan or Cartel de Santa prepared me for a showcase of Chicano-style rap that I saw Sunday headlined by Kartel de las Calles along with acts like Neza’s El Plata Ramirez.

Rapper Plata Ramirez performing in Ticoman, October 2009
Rapper Plata Ramirez performing in Ticoman, October 2009

This was gangster culture as pop culture that I was witnessing (there was one vender selling Nike Cortez, Joker Brand bandanas, Dickies pants and dark sunglasses — a certain type of Mexican-American Apparel and the look of the SoCal cholo.)

Hip-hop culture is being used here to create an identity where rasta, emo, goth, punk, or sporting tight jeans and a colorful scarf just won’t cut it.

KDC rap crew take a breather after a quickie performance. Ticoman, D.F.; October 2009
KDC rap crew take a breather after a quickie performance. Ticoman, D.F.; October 2009

Concert-goers came from nearby places such as Naucalpan, Iztapalapa, Ecatepec, La Raza, and of course, Neza York (Ciudad Nezahualcóyotl) taking the bus or train in to commune with their peers.

Entrance to Pabellon Lindavista in Ticoman (D.F.) where the rap show was held. October, 2009
Entrance to Pabellon Lindavista in Ticoman (D.F.) where the rap show was held. October, 2009

There were young men and women with bandanas, jerseys emblazoned with “Los Angeles” in gothic text, “Sureño”, or the always ominous number “13” (as in the Mara kind) scrawled on their shirt backs, their necks, arms and hands.

Writing about the globalization of thug culture and cholo culture in Mexico is nothing new. I’m actually glad it’s been covered before.

Cholos grew out of Chicano, or Mexican-American culture, and found their greatest expression in East Lost Angeles.

Cholo style was most definitely a result of the Mexican immigrant experience in the southern U.S. as opposed to a style found in Mexico itself.

Wrote Jeremy Schwartz in a blog post about noted Mexico City photographer Federico Gama’s pictorial on Neza York cholos in the late 90’s.

Gama’s is a fascinating piece of work and you can see more here, following his bio.

Fans show their approval with distinct hand signs, or just mimicking L.A. gang culture? Ticoman, D.F.; October 2009
Fans show their approval with distinct hand signs, or just mimicking L.A. gang culture? Ticoman, D.F.; October 2009

It can seem like aping the culture created in Southern California, but without the high potential for danger associated with venues exclusive to gang-friendly crowds. Still, how can you judge how peer groups want to express their identity? Besides, with every “carnal” or “güey” that I heard, I realized this was Mexico’s young generation making cholo rap their own.

Rapper Tetos gave a controlled performance. Ticoman, D.F.;October 18, 2009
Rapper Tetos gave a controlled performance. Ticoman, D.F.;October 18, 2009

Here’s Teto’s set.

Plata Ramirez had good energy:

Sombras Urbanas also did their thing:

For more on other performers that played on Sunday check out:

Nasion Sureña Mexicana (NSM)

Loco Nueces

Kraneo

Don KFE

And for more info on cholo rap on it’s home turf, check out:

Chola rappers

Surenorap.com

Chicano Rap Mag

Looong list of Chicano rap artists

And what some of the smarter folks have to say about it.

IF that’s not enough, download this mixtape for healthy dose of Mexican rap:

Cuernavaca Flow Of Eva.Eme


EVA.EME: Not a backpack-underground-rapper. She reps Cuernavaca.

I didn’t want to edit this video too much, I wanted you to see the off-the-cuff Eva.Eme (pronounced Eva Punto Eme).

In Mexico, these days, it seems like everyone raps.
Over the summer I had a chance to meet 21-year-old MC Eva.Eme in her home town of Cuernavaca, Morelos. That of course is a written rhyme in the video above, but what I’m impressed with more about her is her love for the music and its energy. She sacrifices a lot, and given shady biz in the industry, people who rap on stage almost always do it for the love and not the bread, because you just don’t cake like that. Check out her group.

At this point in her career, she’s working a day job, trying to play clubs on weekends, and to my surprise has to suffer abuse from her mother just to go rock a mic. Eva showed me a scar on her wrist from her mother wilding out on her for coming home too late after a show. Drama. But that’s the life of an early 20s Mexican girl/rapper.
I’ll have a more thorough profile written for you later. I just wanted to get this video online for people to see. And yes, fans, hip-hop is alive and well in Mexico…but like anything, it needs a little work. If Eva keeps working on her bars, no telling where she might take her rhyming skills.

Listen to Eva:

Go here, and scroll down to stream 2 tracks by Eva.Eme.

Factor Disfuncional

R.A.P. (Ft. LOSTDREAMER)

Courtesy: SocSub.org

Just Getting Started


In 2005, a Mexican hip-hop documentary produced by Canal 22 premiered, and to the best of my knowledge, it´s the best visual document yet of hip-hop culture in Mexico City. It feels a little dated. Big Metra, goes by Bigger B or something like that. Big Metra won this year´s DJ Concept award for best MC. I was always impressed he got Jada on a track.

My only problem with this is the use of Maldita Vecindad´s Rocco as the narrator. While Rocco is by no means lacking in any hip-hop cred, his Cyber Pachukote, raga-styled music isn´t quite purist hip-hop like I know a lot chavitos like their music. Rocco is still dope at the end of the day, and he reps hard for the indigenous people´s all over Latin America. My kind of dude.

I´d found this doc on youtube months ago, but the good folks at Cabezas under. compiled the whole flick in one post. Enjoy.