Above, the trailer for Rubber. The news of this film, directed by a French DJ, is like summer 2010 old, but I saw this trailer the other day and haven’t heard of  the movie showing in the states in any theaters, yet.  It’s a movie that really bends the mind when it comes to the concept of character. Can a tire be a character? At the J-School, they’d say no (well, depends…).

Experimental French electro (this time by Mr. Oizo, who directed the movie, and one half of Justice, Gaspard Augé) isn’t my passion, but definitely the music I most like to work to. Thinking about it, from the looks of my work, maybe I need to change soundtracks?

Rubber has some music attached to it that’s definitely worth a listen. It touches on the zeitgeist of electro/industrial/computer noise music that’s been getting mainstream love as of late. Flying Lotus even remixed the lead song on the soundtrack, adding his Lotus-ness to the noise. You can listen to choice cuts from the soundtrack by following this link and scrolling to the bottom of the post. My favorite cut is Tricylce Express, if only because it sounds like a Justice song with that sinister build-up and Daft Punk-like refrain at the top. [Link via http://www.bad-fotography.co.uk ].

Mr. Oizo, who you can read about here, has had his share of mainstream love too. Flat Beat, (I know you remember that sock puppet) put him on the map for us non-electro heads. That song was always on The Box and MTV.

Right now, he’s helped to pioneer the digital filmmaking age by doing his latest feature all using a Canon 5D. I’d be fronting if I said I was a camera expert. I started taking the photo life seriously just last year and have years to go. Studying digital media I came to find out that the Canon and other video SLR cameras like it are necessary tools in the future of journalism. With video a main part of the news cycle the digital SLR cameras not only take the high-quality photos you publish, but also the video narratives you publish on a news site.

In this blog post Mr. Oizo, at a performance last month in New York, geeks out on the benefit of shooting a movie with a Canon 5D Mark II (I have no idea what it means after “Canon”).

There was a time when wanting to make a movie required at the minimum a video camera that could cost you a couple thousand dollars. Now, well…Canons and lenses can still be expensive as hell, but you can buy a lower-end SLR and still do something magical.

The site Newsvideographer.com looks at a few cameras and the results of their video capabilities in telling stories. Roger Ebert was stanning hard on this short video about a snowstorm that was filmed on an SLR. The man compared it with a Russian classic.

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